Ever heard a tree whisper secrets or the wind howl with laughter? That’s personification.
It’s not about giving your houseplants names (though we all do that, right?). It’s a literary device that adds a splash of life to inanimate objects and abstract ideas. In this guide, you’ll learn everything you need to know.
(This post may have affiliate links. Please see my full disclosure)
Personification is a figure of speech where you give human qualities to non-human things.
We’re talking emotions, actions, and characteristics. Think of it as a costume party for nouns, where everyday objects dress up as people. It’s a powerful tool that writers use to create vivid imagery, evoke emotions, and make their writing more engaging.
This literary technique breathes life into the mundane, making the world a bit more magical (or sometimes, a bit more menacing).
It helps us connect with the non-human world on a more personal level.
It allows us to relate to concepts and objects in a way that resonates with our human experience.
This can be used to create empathy, humor, or even fear.
While the core concept remains the same, personification can manifest in a few different ways:
This is your basic, everyday personification. A simple attribution of human qualities.
For example, “The sun smiled down on us.” The sun doesn’t actually smile (unless it’s got a secret we don’t know about), but this phrase gives it a warm, welcoming feeling.
It is used here to create a sense of warmth.
Other examples include: “The rain cried down from the sky,” or “The clock ticked impatiently.” These simple examples make use of human actions or emotions to describe inanimate objects.
This is where things get a little more dramatic. And it sounds like an insult, but I promise you it’s not.
Pathetic fallacy goes beyond simple humanization by reflecting human emotions in nature. For instance, “The angry storm raged outside.”
The storm isn’t literally angry, but this reflects the emotional turmoil of a character or the overall mood of a scene.
It’s often used to mirror the inner state of a character or to set a specific tone for a scene. For example, a character experiencing grief might be described alongside a “weeping willow” or “mournful rain.”
What makes personification tick? Here are the essential ingredients:
Let’s look at some more examples in action, expanding on the previous ones:
Like any literary device, personification has its rules:
Overdoing it can make your writing sound cheesy or forced. Personification is best used in moderation. It’s more effective when used strategically to highlight key moments or create specific effects.
Not every carrot needs an emotion.
Avoid creating confusing or contradictory images.
For example, “The angry sun whispered secrets.” Angry and whispering don’t quite mesh. The technique can be ruined by mixed metaphors.
Ensure that the human qualities you assign to an object or concept remain consistent.
Personification should add depth and meaning to your work, not just be there for the sake of it.
Give it a clear purpose. It should contribute to the overall message or theme of your writing. Settle for nothing less.
Try to avoid overused examples like “Time flies.” Groan. Get creative. Personification is more effective when it’s original.
Think outside the box and come up with fresh and imaginative ways to use this device.
Ready to take your literary game to the next level?
Here are some common personification pitfalls:
Personification isn’t just for creative writing. It can be found in various forms of communication:
Personification can have a significant psychological impact on readers and listeners.
By giving human qualities to non-human things, we can:
Personification has been used by writers for centuries.
Here are some notable examples from classic literature:
Watch this helpful video to learn more about personification:
Personification often gets mixed up with other literary devices. Let’s clear up the confusion:
These two are closely related, but there’s a key difference.
Giving human qualities to inanimate objects or abstract ideas creates a specific effect within a sentence or passage.
Anthropomorphism, on the other hand, makes non-human entities behave like actual humans, often throughout an entire story or work.
Essentially, anthropomorphism is a more extensive and sustained form of attributing human qualities.
This technique is a quick, momentary attribution of human qualities; anthropomorphism is a full-blown transformation.
Giving human qualities to non-human things. Hyperbole uses extreme exaggeration for emphasis or humor.
While they can sometimes overlap, they serve different purposes.
A phrase can use both: “The mountain groaned under the weight of the snow.”
Here, “groaned” is giving the mountain a human sound, and it also exaggerates the impact of the snow, leaning towards hyperbole.
The key is that hyperbole is about exaggeration, while the other is about giving human traits.
Giving human qualities to non-human things.
Embodiment (sometimes called reification or hypostatization) turns an abstract concept into a concrete, often physical, entity.
Embodiment often involves giving human characteristics, but it goes a step further by creating a distinct, almost independent being representing the abstract idea.
Embodiment makes the abstract concrete, often in a physical form, while the other technique simply applies human characteristics.
A metaphor is a figure of speech that directly compares two unlike things without using “like” or “as.”
Giving human traits to something non-human is a type of metaphor where one of those things is a non-human entity given human qualities.
All instances of giving human traits are metaphors, but not all metaphors are this technique.
A metaphor can compare two human things, two inanimate objects, or a human and an object. This technique specifically focuses on giving human traits to non-human entities.
Personification is a powerful tool that can add depth, emotion, and vibrancy to your writing.
It can be a fun way to express yourself, but it’s important to use it wisely. I mean, don’t give your toaster an attitude :).
Brittanica
The Poetry Foundation